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HOME : Chinese Art : Masterpieces of Chinese Art : Tang Painted Terracotta Sculpture of a Foreign Groom
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Tang Painted Terracotta Sculpture of a Foreign Groom - H.698
Origin: China
Circa: 618 AD to 906 AD
Dimensions: 17" (43.2cm) high
Collection: Chinese
Medium: Painted Terracotta

Location: United States
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The T’ang Dynasty was an era of unrivalled wealth and luxury. The country was successfully reunified and the borders were expanded, pushing Chinese influence into new lands. Confucianism became a semi-religious instrument of the state; yet Buddhism continued to flourish, spreading into Korea and Japan. The arts reached new levels of sophistication. Poetry and literature flourished under the enlightened rulers. The Silk Road brought fortunes into China. Precious treasures were imported on the backs of camels from far away lands and bartered for Chinese silk, medicinal herbs, and pungent spices. T’ang China was a multicultural empire where foreign merchants from across Central Asia and the Middle East settled in the urban centers, foremost among them the thriving capital of Chang’an (modern X’ian), a bustling cosmopolitan center of over two million inhabitants. Foreign traders lived next to native artisans and both thrived. New ideas and exotic artistic forms followed alongside. The T’ang Dynasty was a cultural renaissance where many of the forms and objects we now associate with China were first created. Moreover, this period represents one of the greatest cultural outpourings in human history.

Horses were among the most revered creatures in ancient China. The speed and strength of these majestic creatures was vital to the protection and expansion of the Chinese empire. While the local Mongol Pony was native to the region, larger and faster breeds were imported from Central Asia, eventually leading to the establishment of the Silk Road. This large sculpture of a groom might just represent one of the foreigners who imported such horses. Elegantly dressed in a colored tunic held in place with a black sash tied at his waist, his stature reveals the wealth that these creatures provided their owners and trainers with. His distinctive plump, round face, broad, flat nose, and large eyes reveal his foreign status.

During the T’ang Dynasty, it was not uncommon for foreigners to reside in the larger cosmopolitan centers of the empire. While this groom might have accompanied a prized steed on the long and arduous journey from Central Asia to its new owner inside China, it is just as likely that this expert groom lived and resided in China, tending to the needs of a royal stable of stallions. Clearly, this groom is no meager peasant, but a refined and respected foreigner who was memorialized in this sculpture. He holds his right arm in the air, as if reaching for the reigns. We can easily picture him lovingly combing a horse and brushing its mane. This groom is no mere worker, but a talented and respected artist who brought out the full beauty of these revered creatures. - (H.698)


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