During the T'ang dynasty, China enjoyed a period of consolidation, achievement, and confidence. T'ang art tends to reflect this assurance in its realism, energy, and dignity. Pottery of this era is often compared to that of Classical Greece for the sophisticated achievements in sculpting and modeling. This statue resembles a portrait of a living creature with its lifelike features and expressive head. To add to the realistic effect, a mane made of real hair would have been attached to the statue at the groove along the horse's neck and a tail added to the rear. Strong, noble, and splendid, this finely painted terracotta horse conveys the love and admiration that T'ang society felt toward its steeds. As horses were often symbols of the afterlife, this funerary statue seems to be ready to bear his owner into the afterlife. Horses held particular significance with T'ang rulers and aristocrats, who relied on them for military preparedness and diplomatic policy. In addition, horses were also revered for their religious significance: ancient tradition linked them to the dragon, designating them as supernatural creatures. Clearly, this horse was a beloved creature buried alongside the deceased to accompany him throughout eternity. Wearing a harness and saddle, the horse is ready to gallop across the eternal fields of the afterlife, carrying the spirit of the deceased upon its back.
- (H.629)
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