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HOME : African & Tribal Art : Masterpieces of African Art : Djenne Bronze Sculpture of a Horse and Rider
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Djenne Bronze Sculpture of a Horse and Rider - PF.5171 (LSO)
Origin: Central Mali
Circa: 15 th Century AD to 17 th Century AD
Dimensions: 6.25" (15.9cm) high x 6.75" (17.1cm) wide
Collection: African
Medium: Bronze

Location: UAE
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This outstanding representation of a man on a horse was cast by a skilled metallurgist of the Djenne culture. It is remarkable for its naturalistic and expressionistic rendering, and the selectively elongated proportions of both horse and rider. The horse is short-legged, with a long body and neck, the latter supporting a prick-eared head with an extensive bridling system that is gripped in the rider’s hands. The rider himself is very realistic above the neck, with a domed head, protuberant eyes and a jutting chin. The torso is tall, and the legs extremely elongated and reaching forward to the horse’s elbows.

The Djenne culture is focused upon the historic city of Djenne-Djenno in the Niger Inland Delta of modern Mali. It is the oldest city in Sub-Saharan Africa, and the onetime hub of an enormous trading empire during the Middle Ages. It was founded by the Bozo (allied with the Bamana) people in about 800 AD, and gained its wealth by taking advantage of Trans-Saharan trade networks. The Djenne style is technically part of the Malian Empire – along with numerous other groups (i.e. the Tenenku, Bura and Bankoni [centred on the town of Bamako]) – but the city itself never was. Indeed, the Malian Empire is said to have tried to conquer the city-state 99 times before giving up.

Djenne culture – and that of the closely allied Bankoni group – is highly significant in the development of West African art styles. Their central preoccupation was seated, standing and kneeling human figures, in addition to equestrian and zoomorphic/anthropomorphic divertimenti. They are invariably highly expressionistic, with little regard for proportion and scale, but with phenomenal modelling to produce powerful and refined masterworks such as this example. Owing to the popularity of Djenne pieces, sites have been systematically plundered so we know almost nothing of their culture beyond its evident refinement. It was evidently highly socially stratified, with major markers of wealth including scarifications, jewellery, horses and prestige artefacts such as the sculptures themselves. They had a great influence on the artistic repertoire of later groups, notably the Dogon.

This is a Djenne masterpiece.

- (PF.5171 (LSO))


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