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HOME : Chinese Art : Ming Dynasty : Ming Polychrome Terracotta Sculpture of a Horse
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Ming Polychrome Terracotta Sculpture of a Horse - H.957
Origin: China
Circa: 1368 AD to 1644 AD
Dimensions: 10" (25.4cm) high
Collection: Chinese
Medium: Painted Terracotta

$3,600.00
Location: United States
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Description
Upon leading a victorious rebellion against the foreign Mongol rulers of the Yuan Dynasty, a peasant named Zhu Yuanzhang seized control of China and founded the Ming Dynasty in 1368. As emperor, he founded his capital at Nanjing and adopted the name Hongwu as his reign title. Hongwu, literally meaning “vast military,” reflects the increased prestige of the army during the Ming Dynasty. Due to the very realistic threat still posed by the Mongols, Hongwu realized that a strong military was essential to Chinese prosperity. Thus, the orthodox Confucian view that the military was an inferior class to be ruled over by an elite class of scholars was reconsidered. During the Ming Dynasty, China proper was reunited after centuries of foreign incursion and occupation. Ming troops controlled Manchuria, and the Korean Joseon Dynasty respected the authority of the Ming rulers, at least nominally.

Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Mongols and largely kept intact. However, Hongwu replaced the Mongol bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.

Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidden Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.

The importance of the horse in the history and culture of China can be viewed, in part, through the artistic legacy of this great civilization. In sculpture, painting, and literature, horses were glorified and revered. Furthermore, horses were believed to be relatives of the mythological dragon, reflecting their sacred status within society. The speed and endurance of horses enabled China to conquer new lands and govern far away provinces under a unified central government. Horses were and essential component of the Civic Letters Bureau, a modern postal service founded during the Ming Dynasty, which contributed to the dissolution of traditional smoke signal communications. This white horse bears the broad, flattened face that is characteristic of horse sculptures during the transition from the Yuan to the Ming Dynasty. A green numnah covers his back, resting under the bright red saddle. Remnants of brown pigment on the harness and bridal suggest that they were once painted as well. Overall, this sculpture is a testament to the revered status of the horse in Chinese culture, a love affair that was well over a fifteen hundred years old by the time this equestrian effigy was created.
- (H.957)

 

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