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HOME : African & Tribal Art : Akan, Asante, Fanti : Asante Terracotta Bust
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Asante Terracotta Bust - DK.013 (LSO)
Origin: Ghana
Circa: 16 th Century AD to 19 th Century AD
Dimensions: 6.25" (15.9cm) high
Collection: African Art
Medium: Terracotta
Condition: Very Fine

Location: United States
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This striking and elegant ceramic head was made by the Asante of what was once the Gold Coast (now Ghana). It comprises a thin, ringed neck supporting an oversized head with a round brow, a pointed chin and a posteriorly-mounted ornate coiffure arranged in a series of large double flanges. The eyes are in the coffee-bean format with large “sockets”. The nose is long and pointed, the mouth somewhat resembling the eyes. The ears and nostrils are pierced. The surface is patinated and scratched from time and, perhaps, exposure to the elements.

The Ashanti/Asante are one of the many tribes that make up the Akan polity. They all share general cultural trends while maintaining separate tribal identities. Their society is highly ritualised, with numerous gods under a main deity who varies according to the group in question (Onyame – the Supreme One – is the Asante deity), and a host of lesser gods (Abosom) who are mostly connected with the natural world (earth, ocean, rivers, animals etc). The society is ruled by Asantahenes, and a host of minor chiefs. The Ashanti live in the central portion of the country, and are one of the most important groups from the artistic point of view. Their Akuaba dolls are one of the most recognisable forms on the continent, while their fascination with gold (which the Akan consider a physical manifestation of life’s vital force, or “kra”) has given rise to a plethora of artefactual and artistic production.

Pieces such as this are comparatively uncommon, and were designed as grave markers for important chiefs. They were first used in the 16th century, and their use declined from the 18th century onwards. They were paraded through the streets at funerals and on commemoration days, then left on graves and shrines to receive prayers and libations. Studies have revealed varying cultural origins; the flat-faced versions are of a Kwahu origin, and most closely resemble the famous Akua’ba dolls (a certain resemblance to specific Bura pieces has also been noted, although this is perhaps coincidental). The other main style – to which the current piece belongs – is influenced by the Fante and the Fomena-Adanse people. They are noted for their serene expressions and complex coiffures.

This is a beautiful and interesting piece of Asante art.

- (DK.013 (LSO))


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