This is a Buddhist narrative schist relief from
Gandhara region. This relief depicts the first
day of the Buddha’s Sravasti Miracle, when he
created a bounteous tree by planting his
tooth-pick in the ground, causing a great tree
to spring up, fragrant and fully laden with
flowers and ripe fruit. The Buddha, with a halo
on his back, stands beside the miracle tree
which has the symbol of a dharma wheel,
manifesting to the fact that the Buddha
performed this miracle for teaching the
audience about the principle of karma, that
every deed of a person is a seed that bears
dharmic fruit in the future. This is an
extremely rare relief which completely shows
one narrative scene.
Situated on the border between what is now
Pakistan and Afghanistan, the kingdom of
Gandhara contained several notable cities
that flourished between the 6th century B.C.
and the 11th century A.D. It saw enormous
changes with the ebb and flow of
contemporary superpowers. It also became a
center of learning (notably with the invention
of the Kharosti alphabet) and of religious
pilgrimage, as this is where the holy scriptures
of Buddha were kept. Prior to this in the 6th
century B.C. Gandhara was absorbed into the
Achaemenid (Persian) Empire. The collapse of
this dynasty led to a series of power struggles
that ended with the crushing of native armies
by Alexander the Great in 327 B.C. This was
followed by the attack by Demetrius of
Bactria, and while the area was Graeco-
Bactrian for some time, it eventually gained
independence under King Menander in the
mid 2nd century B.C. The final effects of
Greek colonialism were eroded by about 50
B.C. under a fierce campaign headed by the
Parthians. While catastrophic to social order
at the time, the cultural diversity of the region
was greatly enhanced by the appearance of
the Greeks, especially in terms of artistic
production. Even after the Greeks had gone,
their legacy endured in the aesthetics that
makes Gandhara art unique.
The golden period of Gandharan art dates to
c. 100-200 A.D. with the arrival of the
Kushans, a Central Asian group under whose
governorship the arts and sciences flourished
as never before. The mixture of different
cultures produced a completely unique set of
architectural and artistic traditions. Their
greatest monarch, Kanishka, encouraged the
arts, and under his reign totally new
conventions were to develop including the
earliest depictions of the Buddha in human
form. The cultural syncretism between
eastern themes and western styles has
become known as Greco- Buddhism, and is
one of the most remarkable – and successful –
examples of cultural fusion in history.
Everything from architecture to sculpture,
coinage and even jewelry developed in new
and extraordinary ways. Myths and figures
from Greek mythology – such as Atlas, or
Dionysus – are also found in some friezes and
paintings. The Buddhas resemble Greek kings
in ersatz togas, sitting in houses influenced by
the Corinthian model, while Bodhisattvas and
other religious figures are often depicted with
startling realism as bare-chested Indian
princes.
Gandhara was an ancient state, a mahajanapada, in
the Peshawar basin in the northwest portion of the
ancient Indian subcontinent, present-day Afghanistan
and Pakistan. The center of the region was at the
confluence of the Kabul and Swat rivers, bounded by
the Sulaiman Mountains on the west and the Indus
River on the east. The Safed Koh mountains
separated it from the Kohat region to the south. This
being the core area of Gandhara, the cultural
influence of "Greater Gandhara" extended across the
Indus river to the Taxila region and westwards into
the Kabul and Bamiyan valleys in Afghanistan, and
northwards up to the Karakoram range.[1][2][3]
Gandhara was one of sixteen mahajanapadas (large
conglomerations of urban and rural areas) of ancient
India mentioned in Buddhist sources such as
Anguttara Nikaya.[4][5] During the Achaemenid
period and Hellenistic period, its capital city was
Pushkalavati (Greek: ?e??e?a?t??), modern
Charsadda.[note 1] Later the capital city was moved
to Peshawar[note 2] by the Kushan emperor Kanishka
the Great in about AD 127.
Gandhara existed since the time of the Rigveda (c.
1500–1200 BC),[6][7] as well as the Zoroastrian
Avesta, which mentions it as Vaek?r?ta, the sixth
most beautiful place on earth, created by Ahura
Mazda. Gandhara was conquered by the Achaemenid
Empire in the 6th century BC. Conquered by
Alexander the Great in 327 BC, it subsequently
became part of the Maurya Empire and then the
Indo-Greek Kingdom. The region was a major center
for Greco-Buddhism under the Indo-Greeks and
Gandharan Buddhism under later dynasties. It was
also a central location for the spread of Buddhism to
Central Asia and East Asia.[8] It was also a center of
Bactrian Zoroastrianism and Hinduism.[9] Famed for
its local tradition of Gandhara (Greco-Buddhist) Art,
Gandhara attained its height from the 1st century to
the 5th century under the Kushan Empire. Gandhara
"flourished at the crossroads of Asia," connecting
trade routes and absorbing cultural influences from
diverse civilizations; Buddhism thrived until 8th or
9th centuries, when Islam first began to gain sway in
the region.[10] Pockets of Buddhism persisted in
Pakistan's Swat valley until the 11th century.[11]
The Persian term Shahi is used by historian Al-
Biruni[12] to refer to the ruling dynasty[13] that took
over from the Kabul Shahi[14] and ruled the region
during the period prior to Muslim conquests of the
10th and 11th centuries. After it was conquered by
Mahmud of Ghazni in 1001 AD, the name Gandhara
disappeared. During the Muslim period, the area was
administered from Lahore or from Kabul. During
Mughal times, it was an independent district which
included the Kabul province.
- (SF.200)
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