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HOME : Near Eastern Art : Cuneiform Tablets : Sumerian Cuneiform Tablet in Clay Envelope
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Sumerian Cuneiform Tablet in Clay Envelope - LK.175
Origin: Central Asia
Circa: 2036 BC
Dimensions: 2.1" (5.3cm) high x 1.9" (4.8cm) wide
Collection: Near Eastern Art
Medium: Clay

Location: Great Britain
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Sumerian cuneiform is one of the earliest known forms of written expression. First appearing in the 4th millennium BC in what is now Iraq, it was dubbed cuneiform (‘wedge-shaped’) because of the distinctive wedge form of the letters, created by pressing a reed stylus into wet clay. Early Sumerian writings were essentially pictograms, which became simplified in the early and mid 3rd millennium BC to a series of strokes, along with a commensurate reduction in the number of discrete signs used (from c.1500 to 600). The script system had a very long life, and was used by the Sumerians as well as numerous later groups – notably the Assyrians, Elamites, Akkadians and Hittites – for around three thousand years. Certain signs and phonetic standards live on in modern languages of the Middle and Far East, but the writing system is essentially extinct. It was therefore cause for great excitement when the ‘code’ of ancient cuneiform was cracked by a group of English, French and German Assyriologists and philologists in the mid 19th century AD. This opened up a vital source of information about these ancient groups that could not have been obtained in any other way. Cuneiform was used on monuments dedicated to heroic – and usually royal – individuals, but perhaps it’s most important function was that of record keeping. The palace-based society at Ur and other large urban centres was accompanied by a remarkably complex and multifaceted bureaucracy, which was run by professional administrators and a priestly class, all of whom were answerable to central court control. Most of what we know about the way the culture was run and administered comes from cuneiform tablets, which record the everyday running of the temple and palace complexes in minute detail, as in the present case.

The Barakat Gallery has secured the services of Professor Lambert (University of Birmingham), a renowned expert in decipherment and translation of cuneiform, to examine and process the information on these tablets. His analysis is presented below.

This is an administrative document from the Third Dynasty of Ur, dated to the second year of the 4th king, Shu-Sin, working for the state or a major temple:


16 carcasses of oxen. 62 carcasses of sheep. 35 carcasses of ducks. 180 carcasses of wild doves. 75 carcasses of turtle doves. 550 small birds. 22 pigs. The women oil pressers received from Nene, the scribe a disbursement. Month: Kirsi’ak. Year: Shu-Sin, king of Ur caulked Enki’s boat “The Ibex of the Apsu”

The purpose of these envelope tablets was security. The document was written in duplicate: once on the tablet, once on the enclosing envelope. So for the practical purposes the document could be read from the envelope, but if any dispute arose, the document inside would be binding. The envelope would be put around the inner document when the clay of both was fresh and soft, and as they dried out, both would shrink a little. But if someone tried to put another envelope on a tablet which had been extracted from its original envelope, then the new envelope would chip off as it dried. No doubt something was used to prevent the two from sticking together as they originally dried, but we do not know what it was.

The above document raises questions. How many women oil-pressers were there? That a month name is given but no day of the month suggests that the monthly period is meant, but the quantity of carcasses is still huge. The pressing would either be of sesame or linseed (the meaning of the word is disputed), and the Sumerians of this period did have industrial-sized factories, so any one is free to speculate how many women over thirty days would consume all this meat. - (LK.175)


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