Description
Obverse: A Quadriga Racing to the Left, the
Goddess Nike Flying Above
Reverse: The Head of the Nymph Arethusa
Surrounded by Four Dolphins
In 734 B.C., the Corinthians overcame a local
Sicel settlement on the island of Ortygia and
established the colony of Syracuse. The island,
forming the north side of the Great Harbor and
with its own source of fresh water, the spring of
Arethusa (named after one of the Nereid sea
goddesses whose image graces the reverse of
this coin), remained the citadel of Syracuse. The
city, however, soon extended to the mainland,
and in the mid 6th century B.C., Ortygia was
connected to the mainland by a causeway. In the
course of the 5th century B.C., the wealth,
cultural development, and political power of
Syracuse rivaled Athens itself. In 485 B.C., Gelon,
the tyrant of Gela, who had gained control over
most of Sicily, seized Syracuse and made it his
capital. In 480 B.C., Gelon led the Greeks in a
victory over the Carthaginians at Himera. Gelon's
brother, who succeeded him, defeated the
Etruscans in a naval battle in 474 B.C., thereby
ensuring the continued dominance of Syracuse
over the entire southwestern Mediterranean
basin. In 415-413 B.C., Syracuse was victorious
in a war with Athens. Between 410 and 397 B.C.,
Syracuse was again victorious over the
Carthaginians and renewed its claim to
supremacy in the western Mediterranean.
How many hands have touched a coin in your
pocket or your purse? What eras and lands have
the coin traversed on its journey into our
possession? As we reach into our pockets to pull
out some change, we rarely hesitate to think of
who touched the coin before us, or where the
coin will venture to after us. More than money,
coins are a symbol of the state that struck them,
of a specific time and place, whether
contemporary currencies or artifacts of a long
forgotten empire. This stunning hand-struck
coin reveals an expertise of craftsmanship and
intricate sculptural detail that is often lacking in
contemporary machine-made currencies. This
coin is more than an artifact; it is a shining
vestige of a powerful city’s ancient glory passed
from the hands of civilization to civilization, from
generation to generation.
Although Unsigned, the Dies are Reminiscent of
the Style of Euainetos