Preface
THE BARAKAT GALLERY
By Selma Holo
A CATALOGUE OF THE COLLECTION
Volume I
The art world is made up of art historians, critics,
museums, the art market, the taste of the times, and above all, the objects
themselves. Those art objects, which both effect and are affected by all
of these factors, most often come to light of day by way of the art dealer.
There are, however, all kinds of art dealers, ranging from those whose
only concern is selling to those who truly love art and are scholars in
their own right. Throughout my professional career, which included being
a curator of the Norton Simon Museum and now finds me directing the Fisher
Gallery of the University of Southern California and training young people
for museum careers in our Museum Studies Program, I have learned to value
the scholar-dealer for his or her insights into the nature of the works
of art that fall into their special areas of interest.
Living and working in Los Angeles as I have for many
years, I am anxious to encourage the evolution of our community into a
major center in the art world. To be such a center, a city has to know
and appreciate, to sell and buy, not only contemporary art, but ancient
and old master art as well. That is, of course, well on the way of happening,
and it is clear to me that Mr. Barakat is going to be an important part
of that evolution. The art that he brings to our city is of startling
quality. His sense of aesthetics is so highly developed and so refined
that I am looking forward to their inevitable movement from collection
to museum in order that they may become a part of our common experience.
Not only is Mr. Barakat bringing beautiful pieces of
art to our attention, but he is already sharing them with us in noncommercial
ways. No sooner did I ask him to lend a number of objects, including his
beautiful Alexander head and a major Judaic relief to an exhibition at
the Fisher Gallery, than he responded that "anything we needed" that he
still owned would be available to us. Such generosity will help spread
knowledge about the art of the ancient world in a city that can only profit
by this kind of enrichment of its cultural memory bank. It is therefore,
in the spirit of mutual cooperation that I welcome Mr. Barakat to Los
Angeles and wish him the best in his new home.
May 1983
SELMA HOLO
Director, Fisher Gallery and Museum
Studies Program
University of Southern California
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