Statuettes, such as this intriguing example, can
be interpreted as symbols of established
concepts related to religious beliefs. They may
also be seen as 'portraits' of actual individuals, or
archetypes of familiar figures in society. It's
origins are deeply imbedded in Yoruba belief,
more deeply than the tomb in which it was
found. Like the Phoenix rising from ashes, this
statue presents a near primordial figure from a
vanished age. Nonetheless, it contains
iconographic details that still resonate in Yoruba
belief today.
The fact he is seated indicates rank and status in
society, suggesting he is a chief or important
priest/sorcerer. The staff he holds in his right
hand further confirms this supposition. Both the
gourd, (held in his left hand) and the bird sitting
on his hat are icons related to Yoruba creation
myth, and essential elements in oral lore and art.
The gourd, as an actual object owned by
witchdoctors, may have contained medicinal
liquids. In fact, he does appear to be drinking
from it; perhaps sampling his own medicine. This
proud male seems to be wearing a large
ornament on his chest attached to his neck,
which may be an emblem of office. As a votive
figure this statue contains energy and power. It
seems to come from another sphere of existence;
with its secrets still alive waiting for new
offerings from an enlightened art lover.
- (PF.4743)
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