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African & Tribal Art :
Akan Gold : Akan Gold Pendant Depicting a Mask
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Akan Gold Pendant Depicting a Mask - CK.0020
Origin: Ghana / Ivory Coast
Circa: 16
th
Century AD
to 20
th
Century AD
Dimensions:
1.875" (4.8cm) high
x 1.5" (3.8cm) wide
Collection: African
Style: Akan
Medium: Gold
$6,000.00
Location: United States
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Description |
In many cultures throughout the world, gold has
been associated with status, power, prestige and
wealth. As early as the 15th century, European
merchants wrote about the richness of African
gold objects used for adornment and intended
for public display. Gold deposits were discovered
in all regions of Africa, and became the most
important commodity during pre- colonial times.
The region of the Akan, spreading from the
forest zone and costal areas of Ghana to the
southern shores of the Ivory Coast, is the richest
auriferous zone in West Africa. Several individual
tribes make up the Akan people, the Asante and
Baule being among the most famous, all united
by their common ancestry and language. The
royal courts of the Akan people were reportedly
the most splendid in Africa. Oral tradition and
iconography in Akan works of art are very closely
connected. Verbal and visual symbolism tells
stories or proverbs. Imagery of royal power on
court ornaments carry out messages that helps
keep the balance and continuity within the
society.
Some of the finest gold castings from this area
are in the form of human heads, or more
specifically, human faces. Although they are
commonly referred to as “mask,” they have no
known association with masking traditions or
cults. These faces generally depict males with
beards and small moustaches, although they
could represent anyone, whether male or female,
beautiful or ugly. The Baule call these pendants
ngblo meaning, “a human head.” Both men and
women traditionally wear them as hair
ornaments or as necklaces. Occasionally, they
are still publicly displayed during special festivals
as signs of wealth and beauty. There was no
particular restriction regarding the ownership of
such ornaments. These works were not the
private regalia of the king and his loyal followers,
for they could be owned by anyone rich enough
to afford one. Such pendant heads are said to
represent “portraits” or friends and lovers.
Others are told to depict deceased ancestors or
former kings.
A band of concentric rings frame the face that
adorns the center of this pendant. A line of
decorative keloid scarification marks the space in
between the brows and is a characteristic mark
of the Akan peoples. Scars such as this served
both as beauty marks and a form of tribal
affiliation identification.
- (CK.0020)
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