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African & Tribal Art :
Nok, Katsina, Sokoto : Nok Terracotta Head
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Nok Terracotta Head - PF.5765
Origin: Northern Nigeria
Circa: 500
BC
to 200
AD
Dimensions:
6" (15.2cm) high
x 4.75" (12.1cm) wide
Collection: African
Medium: Terracotta
$6,000.00
Location: United States
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Photo Gallery |
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Description |
Some of the earliest examples of sophisticated
sculpture in sub-Saharan Africa come from the
Nok culture. We do not know what the people
called themselves, so the culture was named
after the town of Nok where the first object was
found. The fired clay or terracotta sculptures
range in size from small pendants to life-size
figures. Nok is an iron age culture that has been
dated between 900 B.C. and 200 A.D.
Archaeological artifacts have been found in
Nigeria, primarily to the north of the Niger-
Benue River confluence and below the Jos
escarpment. According to some accounts, based
on artistic similarities between early Yoruba art
forms and Nok forms, there may be connections
between Nok culture and contemporary Yoruba
peoples. What is clear is that certain stylistic
tendencies prevalent in black African art today,
such as the disproportionate emphasis placed on
the head, may have originated in the sculptures
of the Nok.
The composition and texture of the terracotta of
this head fragment is typical of the Nok style.
The distinctive blend of the light orange clay with
the sporadic black and white mineral deposits is
a virtual signature of this culture. Aspects of the
facial features are also characteristic of the Nok,
including the prominent almond-shaped eyes
and the pierced holes representing the pupils.
The sophisticated interplay between vertical and
horizontal planes present in this fragment is
typical of the most accomplished Nok sculptures.
The figure’s hat and beard both project
outwards, perpendicular to the plane of the face,
penetrating into our space. This hood originally
must have wrapped all the way around his face,
joining with his beard, as seen in other similar
examples. Two small horns, prevalent in
representations of Nok deities, protrude from the
figure’s cap. Although just a diminutive
fragment, this sculpture is indicative of a greater
truth. Throughout history, mankind has molded
natural materials into our own form. Today,
these relics of an ancient age are as vibrant as
they ever were. They allow us to communicate
with the past. In the case of the Nok culture, they
are all that remains to document their existence.
- (PF.5765)
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