Bete masqueraders perform during burials, at
the end of mourning periods, or in honor of the
arrival of important dignitaries. Sometimes they,
or one of their attendants, carry a lance. This
weapon likely relates to the masks original tribal
function: a war mask. The face of this mask is
composed of horn-shaped geometric volumes
that, as independent bodies, seem to emerge
from back panel of the two-planed mask. The
separate features are arranged in horizontal
tiers, interrupted in the vertical only by the
appendage that curve up from below the chin.
This mask is unusual both for its tremendous
size as well as its shape. Generally, Bete masks
are far more abstract. In this example, under the
series of arms that appears very similar to a
skeletal ribcage, the facial features of the mask
are quite discernable. There is little abstraction
in regards to the nose, as is quite common in
other Bete works. However, this mask was
clearly meant to be and has been worn and
danced during ritual ceremonies. Animal hides
cover portions of the surface and are secured in
place by imbedded upholstery tacks. The use of
animal skins on masks occurs frequently among
the art of various tribes, perhaps in an effort to
create a realistic texture and appearance to the
wood. There is an intimidating quality that
pervades this work, no doubt related to its
original function as a war mask. While this mask
would have once been worn in combat to
frighten the enemy, today it is used to welcome
visiting dignitaries. The same artistic features
that once put fear into the heart of the enemies
now command the respect and admiration of
important guests for the cultural traditions of
the Bete tribe.
- (PF.5994)
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