Until the late 19th century, the Benin centres were a ruling power in Nigeria, dominating trade routes and amassing enormous wealth as the military and economic leaders of their ancient empire. This changed with the appearance of British imperial forces, which coveted the wealth of the royal palaces and found a series of excuses to mount a punitive expedition against the Oba’s forces in 1897. It was only at this point, the moment of its destruction, that the true achievements of the Benin polities became apparent to western scholars.

Benin royal palaces comprised a sprawling series of compounds containing accommodation, workshops and public buildings. As it grew, the buildings pertaining to previous Obas were either partially refurbished or left in favour of newer construction. This led to a material history of royal rule written in sculptural works that rank among the finest that African cultures have ever produced. The son of the dead king – the new Oba – would pay tribute to his father by erecting an altar in his memory. These altars, low platforms of mud that were arrayed around the perimeter of the royal courtyards, were decorated with various artefacts alluding to the Oba’s achievements in life, including the heads, spears, statues, cast brass altars depicting the Oba and his followers, brass bells to awaken the spirits, rattle-staffs (ukhurhe) and magical objects that included Neolithic celts (known as “thunder stones”). This piece may have been placed on such an altar.

This is an appealing piece of African art.