Ceramic moulds of this sort were used to mass- produce clay plaques and represent a form of art available to a wide audience. The casting of plaques was a simple and inexpensive way to produce relief images, since numerous plaques could be made from a single mold. They have been excavated in temples as well as household shrines in private homes. Their subject matter varies widely, including religious images, mythological and erotic scenes, and representations of rulers and gods.

Our mould depicts a standing naked female figure clasping her hands underneath her breasts, her hair reaching the shoulders, her neck adorned with necklace. Images of women are not generally common, though it has been possible to learn something about the status of women in ancient Mesopotamia from documents dating from 2400 BC until around 1700 BC. Queens often controlled their own estates, had their own administration and played an important role in the economic life of the state. Wives of governors were also active in the textile and other industries. Women could own land, orchards, slaves, oxen and silver. It is clear that women had the same legal rights as men, and that they could go to court to protect them. They could apparently act independently, buying and selling houses, and could act as guarantor for another person. Further down the social scale, the main occupation of women was weaving. Texts also mention the number of their children, who were probably taken to work, as many of them are suckling babies. Boys were separated when grown up and the girls raised to become weavers like their mothers. Many, but not all, were slaves (as a result of warfare). A great number were possibly connected with a-ru-a, an institution where objects, animals or people were donated to temples.