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Classical Antiquities :
Marble Sculptures : Marble Torso of Aphrodite
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Marble Torso of Aphrodite - LA.545
Origin: Mediteranean
Circa: 1
st
Century BC
Dimensions:
7.20" (18.3cm) high
Collection: Classical Antiquities
Medium: Marble
Additional Information: Art Logic—Sotheby's (New York), Property of the Alice H. Decosta Revocable Trust
Location: UAE
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Photo Gallery |
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Description |
In the vast Hellenic pantheon few gods
enjoy such
an iconic status as Aphrodite, the
goddess of love,
beauty, and sexual rapture. Venerated by
the
Romans as Venus, Aphrodite’s immortal
visage
epitomizes the Greek standards of
classical
beauty that remain the aspired aesthetic
of the
modern day. Aphrodite has inspired
countless
artists throughout the centuries; since
the
Renaissance, the goddess has been
intrinsically
linked to Botticelli’s masterpiece The
Birth of
Venus, where the ethereal maiden rises
from the
sea upon the sensuous pedestal of a
gaping clam.
According to Hesiod’s Theogony,
Aphrodite was
born from the seed of Uranus, the divine
father
whose genitals were cut off by his son
Cronus and
thrown into sea. Fermenting with the
tides, a
“white foam arose from the immortal
flesh; with it
a girl grew,” begetting Aphrodite—a
full- grown
woman, nubile and infinitely desirable.
Fearing the
jealousies that would invariably arise
amongst the
gods competing for her favor, Zeus cast
Aphrodite
to the fiery, volcanic abode of
Hephaestus where
she was betrothed to the deformed god of
smithing. To placate his glamorous wife,
Hephaestus forged marvelous jewelry that
made
Aphrodite even more irresistible to the
hearts of
men. Despite the assiduous efforts of
her faithful
husband, the divine seductress carried
on
legendary affairs with Ares, Adonis, and
Anchises,
the latter begetting a son, Aeneas—the
Trojan
hero and mythic founder of Rome. Vain,
glamorous, and sadistically jealous,
Aphrodite
endures in Western tradition as the very
avatar of
beauty, elucidating the mystery of sex
that was for
the Greeks as perplexing as it is today.
This torso belongs to a 1st century B.C.
Roman
copy of the first female nude of ancient
art, the
celebrated Aphrodite of Knidos, sculpted
by
Praxiteles of Athens in the 4th century.
Three
centuries after the appearance of male
nudity in
Greek sculpture, the Aphrodite of Knidos
establishes the canon for the proportion
of female
bodies in sculpture, enshrining for the
first time in
marble the eternal idea of classical
beauty and
grace. The Roman writer Pliny the Elder
reports
how Praxiteles had sculpted two versions
of his
Aphrodite: one draped and one naked.
While the
inhabitants of Kos chose the more
traditional
draped goddess, the city of Knidos
bought the
nude one, setting her in a round temple
where she
could be admired in all her splendour.
Such was
the beauty of the statue, and the
prestige it
brought to the city, that the
inhabitants of Knidos
proudly started to represent this
Aphrodite on
their coins. Ancient copies of the work
of
Praxiteles adorn today some of the most
important Museums and Collections in the
world:
Uffizi Gallery, Vatican Museums, British
Museum,
Prado, Paul Getty Museum among them.
This magnificent marble torso from the
1st century
B.C. is just over seven inches high;
though
deprived of head and limb, little
imagination is
required to envision the lost remains of
this
glorious statue. Though modest in
proportion, this
superb relic of ancient artistry
survives as a
memory and testament to the Hellenic
mythology
so imbued in the cultural traditions of
the West.
With her sensuous curves and soft,
gentle form,
the ancient sculptor has achieved a
truly
remarkable feat through brilliant,
polished marble
—that eternal stone so emblematic of the
classical
age. From her youthful breasts to the
delicate
features running down her spine, this
profoundly
beautiful creation captures the
eroticism and
mystery befitting the goddess of love—an
enviable
treasure every bit as relevant today as
it once was
for its ancient adorer.
Ref: P. Blome, ‘Basel Museum of Ancient
Art and
Ludwig Collection’, (Geneva, 1999), p.
23, no. 18.
The goddess is standing with her right
arm
held apart from her body, her hair
falling in
four long tresses down below the nape of
the neck.
In the vast Hellenic pantheon few gods
enjoy
such an iconic status as Aphrodite, the
goddess
of love, beauty, and sexual rapture.
Venerated
by the Romans as Venus, Aphrodite's
immortal
visage epitomizes the Greek standards of
classical beauty that remain the aspired
aesthetic
of the modern day. Aphrodite has
inspired
countless artists throughout the
centuries; since
the Renaissance, the goddess has been
intrinsically linked to Botticelli’s
masterpiece The
Birth of Venus, where the ethereal
maiden rises
from the sea upon the sensuous pedestal
of a
gaping clam.
According to Hesiod’s Theogony,
Aphrodite was
born from the seed of Uranus, the divine
father
whose genitals were cut off by his son
Cronus
and thrown into sea. Fermenting with the
tides, a
“white foam arose from the immortal
flesh; with
it a girl grew,” begetting Aphrodite—a
full-
grown woman, nubile and infinitely
desirable.
Fearing the jealousies that would
invariably arise
amongst the gods competing for her
favor, Zeus
cast Aphrodite to the fiery, volcanic
abode of
Hephaestus where she was betrothed to
the
deformed god of smithing. To placate his
glamorous wife, Hephaestus forged
marvelous
jewelry that made Aphrodite even more
irresistible to the hearts of men.
Despite the
assiduous efforts of her faithful
husband, the
divine seductress carried on legendary
affairs
with Ares, Adonis, and Anchises, the
latter
begetting a son, Aeneas—the Trojan hero
and
mythic founder of Rome. Vain, glamorous,
and
sadistically jealous, Aphrodite endures
in
Western tradition as the very avatar of
beauty,
elucidating the mystery of sex that was
for the
Greeks as perplexing as it is today.
What remains of this magnificent
representation
from the 1st century B.C. is a marble
torso
measuring just over seven inches high;
though
deprived of head and limb, little
imagination is
required to envision the lost remains of
this
glorious statue. Though modest in
proportion,
this superb relic of ancient artistry
survives as a
memory and testament to the Hellenic
mythology
so imbued in the cultural traditions of
the West.
With her sensuous curves and soft,
gentle form,
the ancient sculptor has achieved a
truly
remarkable feat through brilliant,
polished
marble—that eternal stone so emblematic
of the
classical age. From her youthful breasts
to the
delicate features running down her
spine, this
profoundly beautiful creation captures
the
eroticism and mystery befitting the
goddess of
love—an enviable treasure every bit as
relevant
today as it once was for its ancient
adorer.
Ref: P. Blome, 'Basel Museum of Ancient
Art and
Ludwig Collection', (Geneva, 1999), p.
23, no.
18.
2nd opinion...
MARBLE TORSO OF THE APHRODITE OF KNIDOS
- (LA.545)
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