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Paestum : Paestum Red-Figured Stemless Kylix
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Paestum Red-Figured Stemless Kylix - DC.116
Origin: Mediterranean
Circa: 330
BC
to 320
BC
Dimensions:
7.5" (19.1cm) depth
Collection: Classical
Condition: Fine
Additional Information: Attributed to the Painter of Naples. Art Logic--Rainer Kreisel (San Francisco), with Numisart (Munich) 2005, The Property of a Florida Collector, Christie's (New York) 2007
Location: UAE
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Description |
Dionysus, Greek god of Wine is commonly
portrayed as one of two archetypes.
Either, he is
depicted as the quiet and epicurean God
who
quietly enjoys his wine on his Olympian
throne,
or as a wild and carnal spirit that
animates the
most feral nature of man. It is this
second and
darker Dionysus that is depicted on this
Kylix.
The carnal Dionysus was worshiped by the
Bacchants, an all-female cult of the
most arcane
sort in Ancient Hellas, and later in
Rome. It was
in the name of the wine God that the
cult-
members raised themselves into wine and
drug-
ridden hysteria, consumed the flesh of
live
animals, and participated in massive
orgies.
This depiction of Dionysus every bit
merits the
zeal and activity of his Bacchant
worshipers. He
leaps through the air, the leader of a
procession,
undoubtedly in his honor. The chalmys
flippantly
draped over his shoulders sways with the
rush of
his movement. He is bedecked in beaded
bandoliers, and a wreath frames his
head. In his
right hand he holds a Tympanum, ready to
be
struck into a frenzied cacophony or
hypnotic
beat. His left hand holds a staff, much
like the
ones used by the processional leaders of
festivals. He looks back over his
shoulder, as if
to lead on the festival train behind
him. His left
pectoral muscle is grossly exaggerated,
giving a
stylized and very strikingly feminine
feature to
the male body. The Kylix’s meandering
border of
grape leaves further accentuates the
fantastic
fluidity of the form.
Who knows what role this piece played in
the life
of a wealthy aristocrat, or perhaps a
devoted
Bacchant? Given the elegance of its
execution
and the unusualness of its subject, it
is very
possible that this piece was an integral
sacramental ornament of the Bacchant.
Perhaps
from its lip, the Bacchantes once supped
their
wine or sprinkled their spices.
Regardless of its
purpose, or the wonderful and arcane
rites that
the Kylix may’ve witnessed, it is
undeniably a
phenomenal work of art. The virility of
its
Dionysus is a testament to the artist’s
ability and
the boisterous revelry of the human
spirit.
- (DC.116)
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