Like the founders of the Han Dynasty (206 B.C.- 220 A.D.), Hongwu was extremely suspicious of the educated courtiers that advised him and, fearful that they might attempt to overthrow him, he successfully consolidated control of all aspect of government. The strict authoritarian control Hongwu wielded over the affairs of the country was due in part to the centralized system of government he inherited from the Monguls and largely kept intact. However, Hongwu replaced the Mongul bureaucrats who had ruled the country for nearly a century with native Chinese administrators. He also reinstituted the Confucian examination system that tested would-be civic officials on their knowledge of literature and philosophy. Unlike the Song Dynasty (960-1279 A.D.), which received most of its taxes from mercantile commerce, the Ming economy was based primarily on agriculture, reflecting both the peasant roots of its founder as well as the Confucian belief that trade was ignoble and parasitic.

Culturally, the greatest innovation of the Ming Dynasty was the introduction of the novel. Developed from the folk tales of traditional storytellers, these works were transcribed in the everyday vernacular language of the people. Advances in printmaking and the increasing population of urban dwellers largely contributed to the success of these books. Architecturally, the most famous monument of the Ming Dynasty is surely the complex of temples and palaces known as the Forbidden City that was constructed in Beijing after the third ruler of the Ming Dynasty, Emperor Yongle, moved the capital there. Today, the Forbidded Palace remains one of the hallmarks of traditional Chinese architecture and is one of the most popular tourist destinations in the vast nation.

Modelled standing on a rectangular plinth, seven attendants accompany a dignitary holding a box resting on a draped scarf over the folds of his sleeves. The dignitary is modelled twice the size of the attendants, perhaps indicative of his high social ranking or importance in the procession. The dignitary wears a tall back cap flattened on top and an emerald green colored robe with yellow ochre showing on the sides. The lapel is white with fading in some areas. With a countenance of veneration, the dignitary's whitened fleshy face, elongated ear lobes, and refined facial features bespeaks of his exemplary moral character and high social status. The seven attendants assume various positions--some with one arm raised to the shoulder as if holding the pole that supports a palanquin, others with their arms held forward carrying ceremonial objects or musical instruments. All seven attendants wear unglazed half-robes with black collars over emerald green undergarments and rounded caps of various shapes. Whereas the dignitary stands erect and center-lined, the attendants stand slightly bent with their heads lowered--a sign of their humble demeanor.