Barakat Gallery
Login | Register | User Services | Search | Newsletter Sign-up
Barakat Gallery
HOME : Chinese Art : Sui Dynasty : Sculpture of a Camel
Click to view original image.
Sculpture of a Camel - H.723
Origin: China
Circa: 581 AD to 618 AD
Dimensions: 13.25" (33.7cm) high
Collection: Chinese
Medium: Glazed Terracotta

Location: Great Britain
Currency Converter
Place On Hold
Ask a Question
Email to a Friend
Previous Item
Next Item
Photo Gallery
Click photo to change image.
Print image

The camel is an unusual domestic animal; it carries a saddle of flesh on its back; swiftly it dashes over the shifting sands; it manifests its merit in dangerous places; it has a secret understanding of springs and sources, subtle indeed is its knowledge.

--Guo Pu, 3rd Century AD


Camels symbolized commerce and its associated wealth, largely concentrated on profits through trading on the Silk Road.  Trade across this extensive network of trails brought prosperity, foreign merchants, and exotic merchandize into the heart of China.  However, the dusty trails of the Silk Road were an arduous journey through the rugged mountains and harsh desert of Central Asia that could only be traversed by the two humped Bactrian camel.  The government kept vast herds of these invaluable creatures, presided over by civil officials, for hauling their precious commodities across the Silk Road.  Camels were a common sight in the cosmopolitan cities of China, carrying both traders and their goods directly into the markets.  Likewise, artist began to create charming representations of these prized creatures as mingqi in order to symbolize wealth and prosperity in the afterlife.  Mingqi were works of art created in an ancient Chinese custom specifically for interment in the tombs of elite individuals in order to provide for their needs in the afterlife.  Some of the most beautiful works of Chinese art were excavated from such tombs, and this crème-glazed sculpture of a camel is a perfect example of the refined artistry dedicated to such works, despite the facts that they were not intended to be viewed by the living.  Most remarkable, this work still retains some of its original painted pigment, including red highlights on his ears and mouth, which heighten the naturalism.  This majestic sculpture reveals China’s respect and admiration for this beast of burden, so essential to their prosperity. - (H.723)


Home About Us Help Contact Us Services Publications Search
Terms and Conditions Privacy Policy Security

Copyright (c) 2000-2021 by Barakat, Inc. All Rights Reserved - TEL 310.859.8408 - FAX 310.276.1346

coldfusion hosting