Barakat Gallery
Login | Register | User Services | Search | Newsletter Sign-up
Barakat Gallery
HOME : Chinese Art : Warring States Period : Warring States Glazed Terracotta Vessel
Click to view original image.
Warring States Glazed Terracotta Vessel - SP.577
Origin: China
Circa: 475 BC to 221 BC
Dimensions: 9.25" (23.5cm) high
Collection: Chinese Art
Medium: Glazed Terracotta

Location: United States
Currency Converter
Place On Hold
Ask a Question
Email to a Friend
Previous Item
Next Item
Photo Gallery
Click photo to change image.
Print image
Click photo to change image.
Print image
Whereas before, war was characterized as a civilized contest between aristocratic armies, during the Warring States Period (475-221 B.C.), war evolved into the chaotic conflict we know it as today. Kings and princes were replaced on the battlefield by infantries led by military generals. Peasants were recruited to serve on the front lines. Warfare intensified, especially in terms of the duration of campaigns. New arms and armor were invented, including the halberd and crossbow. Chariots rode alongside archers outfitted in iron helmets and body armor. Defensive walls were erected in order to repel invaders. However, despite the turmoil of the times, the arts continued to thrive. Bronze casting was revolutionized by the introduction of the lost- wax technique, while the alterations of kiln structures enabled new firing techniques that resulted in fully developed glazes.

Although the Warring States Period was marked by almost constant upheaval, it also represents a golden age of Chinese culture and thought. Needless to say, the arts continued to flourish as this exquisite terracotta vessel reveals. Judging by its archaic form, which has its origins in Neolithic China, such a vessel may have been used to store foodstuff. The smooth and even design is a testament to the technological advancement in pottery for which the period is renowned. Moreover, beginning at the vessel's widest cross-section and continuing up towards the raised lip, subtle impressions rendered in pairs of parallel lines adorn the upper half of the vessel. Like its earthen predecessors, however, the lower half of the vessel has been left unadorned and unglazed. And as such, the lower half may have also been partially buried for stability in storage, as typical of earlier cultures like the Yangshao. Stemming from between the decorative impressions, two handles protrude from opposite sides depicting zoomorphic motifs, perhaps a ram or taotie with ram-like horns so common to the time - both auspicious symbols in Warring States China. - (SP.577)


Home About Us Help Contact Us Services Publications Search
Terms and Conditions Privacy Policy Security

Copyright (c) 2000-2023 by Barakat, Inc. All Rights Reserved - TEL 310.859.8408 - FAX 310.276.1346

coldfusion hosting