|
HOME :
Pre-Columbian Art :
Veracruz Art : Veracruz Sculpture of a Seated Woman
|
 |
|
|
|
Veracruz Sculpture of a Seated Woman - PF.3452
Origin: Veracruz, Mexico
Circa: 300
AD
to 900
AD
Dimensions:
7" (17.8cm) high
x 4.5" (11.4cm) wide
Collection: Pre-Columbian
Style: Veracruz
Medium: Terracotta
$5,600.00
Location: United States
|
|
|
| Photo Gallery |
|
|
| Description |
|
The Classic Veracruz cultures were small, tightly-
packed city states, all governed by hereditary
rulers, who sat at the top of highly stratified
social structures. Economically, it was based
upon slash and burn agricultural techniques,
supplemented by exploitation of marine
resources, as well as hunting. The culture was
fuelled by long- distance trade networks that ran
throughout Mesoamerica, as evidenced by the
spread of luxury items and exotic goods. In this
they strongly resemble the Olmecs, who
preceded them and to whom they owed a
considerable cultural and artistic debt. Religion
was based upon the Olmec “earth monster”, as
well as a death god who has been likened to
Mictlantecuhtli, a deity worshipped by their
cultural neighbour, the Aztecs. Like the Aztecs,
they were obsessed with death, sacrifice and the
Mesoamerican ballgame, another cultural
bequest from the Olmecs. There are accounts
stating that the losing team was sacrificed as an
offering to the gods; other chroniclers suggest
that it might have been used as a substitute for
warfare. As a result their iconography is
somewhat sanguineous – with decapitations,
blood-letting and bound prisoners common
themes – surrounded by extensive and
convoluted banded scrolls that can be seen both
on monumental architecture and on mobile art. A
defining characteristic of the Classic Veracruz
culture is the presence of stone ballgame gear:
yokes, hachas, and palmas. Yokes are U-shaped
stones worn about the waist of a ballplayer, while
the hachas and palmas sit upon the yoke. These
were probably worn ceremonially by the victors;
the actual pieces were probably made of wood
and leather. Interestingly, while hachas and yokes
are found throughout the range, the palmas
seem peculiar to what is today northern
Veracruz.
The splendid decorations around the arms, and
the black bitumen suggest that we are in the
presence of a religious ritual and mystery. The
figure is seated, in a meditative position, bearing
a look of intense concentration. The almond
shaped eyes, and smiling mouth suggest that
this figure is in the midst of chanting. The
headdress and heavy jewelry seen on the ears,
shoulders, and wrists makes this figure seen
especially pious. This is a delicately crafted work
of art, which portrays a worshipper captured at
the moment of prayer.
- (PF.3452)
|
| |
|
