This attractive piece is a gold-weight made by
one of the tribes of the Akan group, from
modern-day Ghana. It depicts a long-snouted
fish with a wide body, two pairs of dorsal fins,
and a rounded tail. The patina is very dark.
The Akan are a loose assemblage of tribes –
including the Akuapem, the Akyem, the Ashanti,
the Baoulé, the Anyi, the Brong, the Fante and
the Nzema – that share general cultural trends
while maintaining separate tribal identities. Their
society is highly ritualised, with a main deity, and
a host of lesser gods that are connected with the
natural world. The society is ruled by
Asantahenes, and a host of minor chiefs.
Akan gold-weights reflect the polity’s obsession
with the precious metal. The Akan consider gold
to be the embodiment of sunlight and a physical
manifestation of life’s vital force, or “kra”. It
underpins the economy, and is used for the
manufacture of royal regalia and many aspects of
elite life. The weights themselves are based upon
a measurement system that originated in
Mesopotamia some 4000 years ago, and which
has been transported via numerous empires to
West Africa. While weight-formalised, they are
also used to express proverbs and social
histories, and are made in a vast array of shapes.
They have been manufactured here for at least
500 years.
Fish weights are usually made in the form of
sawfish, sunfish and other species that were
considered sacred – and therefore could not be
eaten – in various parts of the Akan region. This
weight is most likely to be Ashante. It is a
charming piece of African art and social context.