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Masterpieces of African Art : Anyi Wooden Sculpture of a Mother and Child
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Anyi Wooden Sculpture of a Mother and Child - PF.4615 (LSO)
Origin: Ivory Coast
Circa: 20th
th
Century AD
Dimensions:
13" (33.0cm) high
x 4.625" (11.7cm) wide
Collection: African
Medium: Wood
$9,000.00
Location: United States
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Photo Gallery |
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Description |
This charming piece sculpture of a seated woman
and her child was made by one of the tribes of
the Lagoons region of the SE Ivory Coast. The
area is particularly known for the high degree of
refinement of its sculptures, and this piece is no
exception. It depicts a woman seated on a chair –
a status symbol for most groups, and a regular
theme in Lagoons sculptures – with her child
paying across her lap. She is dressed in a long
garment that ties beneath her breasts and
reaches to her ankles; her neck is marked with a
series of bands. The child, whom she is feeding
with her left breast, appears to be dressed in a
papoose-like arrangement. The head is tall and
domed, with a serene, reflective expression
accentuated by a smooth brow, almond eyes and
pursed lips, with cheeks that render expression
beautifully. Her hair is ornate and gathered
backwards. She lacks the scarifications that are
typical of the Ebrie and the Attye, and this –
along with her rounded features – confirms her
Anyi identification. The patina is golden/brown
rather than black, indicating long usage.
The Lagoons people include about a dozen
distinct groups, which are grouped into two main
units: the Attye and the Ebrie. The Anyi are
exactly intermediate between these “classic”
Lagons peoples and their local neighbours, the
Baule. Lagoons people are distinct from one
another except in cases of threat, when they
combine. Their social structure is based upon a
gerontocracy. Artistically they are defined by
carvings of astonishing refinement, with
exceptionally serene expressions and attenuated
proportions. They usually have highly ornate
hairstyles, keloid scarifications that are rendered
as removable plugs, and glossy patinas from
usage. This pose is often seen but its significance
is not understood. The figures were used by
spiritual intermediaries to obtain information
from the hereafter. There are also reports of
highly gendered figures being used as spirit
spouses, as in the Baule tradition. They are also
said to have been display pieces at traditional
dances, or awarded to excellent dancers and
performers. They are usually adorned with
beads, which are often more diagnostic in terms
of area of origin than the piece itself.
This is a beautiful piece of Lagoons sculpture.
- (PF.4615 (LSO))
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