The statues of the Dan are distinguished by their
powerful presence and refined carving; and also
by the fact that they do not represent ancestors
or spirits as do most African statues. A Dan
male, in order to increase his prestige, might
commission a “portrait” of one of his favorite
wives. They are called lu ma, or “human being of
wood.” Their purpose, other than as physical
representations, is not known; though it is
assumed they are associated with the spiritual
power of fertility.
This statue is very intense in its posture, firmly
rooted to the mother earth, unwavering and
confidant. She is the archetype of female virtues
African women admire—moral stamina, sexual
allurement, maternal capability, and physical
strength. Her very beautiful scarification on her
body, particularly the breasts, and the elegant
coiffure suggest she is someone from an
important household. The addition of the
loincloth makes her seem even more realistic and
further encourages the belief that she represents
a real person. In any case, she is a noble figure,
standing proud for the women of her tribe with
dignity, grace, and an air of mystery.
- (PF.4616a)
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