The art of metalwork has been one of the
principal forms of artistic expression in the
Islamic world. Responding to the taste and
needs
of different social and economic classes, artists
continuously explored the technical and
decorative potential of their materials to
transform simple, functional objects into highly
refined works of art.
In the late tenth century, metalworkers in
eastern Iran began to manufacture brass and
bronze objects inlaid with designs in gold, silver,
and copper. This technique allowed
metalworkers "to paint" their vessels with
scenes
of hunting and feasting—associated with courtly
life—astrological signs, and bold calligraphic
dedications to rulers. Although the art of inlay
was already known in West Asia since at least
the sixth century, it reached new levels of artistic
and technical sophistication after the arrival of
Islam. These vessels are among some of the
most
powerful expressions of the social, political, and
cultural life and aspiration of the individuals and
societies for which they were created.
Originally, the engraved decorations incised onto
the exterior of this bronze vessel would have
been inlaid with silver or gold. Clearly, this
precious adornment would have made this jug
even that much more resplendent. Perhaps the
most charming feature of this container is the
stylized bird molded onto the top of the pouring
handle. With large, swooping tail and hooked
beak, the forms of the bird itself are echoed by
the graceful curve of the spout. Furthermore,
several bangles dangle along the neck of the jug
and the join of the handle and the body as if
earrings or such elegant jewelry. This
magnificent water jug served the most basic
purpose in antiquity, however today it is
treasured for its inherent beauty and timeless
artistry alone.
- (FZ.395)
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