Obverse: Diademed and Draped Bust of the Empress Facing Left
Reverse: Juno, Standing to the Left, Holding a Patera and a SceptreVibia Sabina’s parents died when she was young and she was raised by her uncle, the Emperor Trajan, whose fondness for his nephew Hadrian brought about his marriage to Sabina in 100 AD when she was 16. Like the other two women of the Nervo-Trajanic dynasty, she had no children of her own and instead raised two adoptees named Lucius Aelius and Antoninus Pius. She is said to have aborted at least one child, stating that any child of Hadrian’s would “harm the human race”; this was, unfortunately, to be the general tone of their marriage.
She was said to have been exceptionally strong minded and somewhat difficult for Hadrian to control. She also had an affair with one of Hadrian’s slave boys in the 120’s. This said, she was dutiful towards her husband and nation. Her devotion was awarded with the title of Augusta in 128 AD. The marriage endured to her death – arguably by poisoning at Hadrian’s hand, although this is unlikely – in 136/7.
Representations of Sabina follow the general remit of honorific coins produced to commemorate the spouses of famous emperors. Statues show her as being a fairly plain, solidly matriarchal woman, but with a finely moderated face that could be said to reflect the unfortunate circumstances of her time when women were essentially traded like goods. At this time, Roman coiffures were at their most flamboyant, and Sabina seems to have been devoted to her appearance judging from the complexity of her hair in the current case. The triple-tiered look which sometimes appears is known as stephane – tiaras – descended from the Greek word for crown (stephanos).
Juno was the Roman goddess of marriage and the queen of the gods. She was sister (and wife) of Jupiter, and the daughter of Saturn. Her children included Mars (god of war), Vulcan (god of fire) and Juventas (god of youth). She is usually shown in a martial pose, and seems to have been somewhat aggressive and determined, perhaps not unlike Sabina herself. In this fairly late coin, Sabina is fully mature and empowered. Her elevation to Augusta occurred around this time, and her authority is manifest in the casting. It is also notable that she is facing to the left.