The Classic Maya period was an age of profound
intellectual and
artistic achievements, when the Maya built
monumental pyramids
and magnificent urban centers in homage to their
gods. At a time
when the Western world languished after the fall
of the Roman
Empire, the New World experienced an age of
imperial grandeur,
when great city-states like Tikal and Copán
proclaimed Mayan
hegemony over the emerald forests of Mexico
and Guatemala. Theirs
was a sophisticated but startlingly brutal
civilization— wars were
waged not for land or prestige, but for blood, for
slaves sacrificed atop
the great pyramids to appease the god’s
insatiable lust for human
flesh. The Mayan world was an arcane realm
where the earth was
contiguous with the heavens and the underworld.
It was a society
infused with spiritualism, a society that reflected
both the majesty
and savagery of the rain forests. Like the ancient
societies of the
Mediterranean, ceramic forms were vital to the
Mayan economy and
traded alongside coveted resources such as Jade,
obsidian, flint, and
shells.
The Maya believed the universe was divided into
three parts: the
Over world (heaven), the Middle world (the world
of humankind), and
the Underworld (hell). All three were considered
interconnected and
accessible through "doorways", or through
Shamanic ritual. It was
believed the Underworld could be entered
through a cave or through
bodies of standing water, such as a lake or
ocean. To comprehend
the nature of these three worlds and the beings
that inhabit them
was important to daily life of Maya society.
Mayan art was composed of a complex symbolic
language with deeply
important social functions. Mainly commissioned
by kings and other
elite figures, works of Mayan art fulfilled both
political and social
purposes. Because the art functioned as a type of
language, to be
understood by the entire population, a certain
consistency in subject
matter and its portrayal was necessary. Whether
on a cylinder vessel
or a great mural, Maya art essentially depicts
ritual. The impressive
Maya ceremonies, recorded for posterity in their
art, were crucial
events in the lives of the kings, and consequently
important to
society as a whole. In Maya believe, an actual
ritual ceremony is
directly connected with the art which represents
it; both conceived of
as a power process that transformed spiritual
beings into corporeal
beings on the human level, and allowed people
and objects to
become the sacred beings they represented.
In the 9th and 10th centuries AD, the productivity
of the southern
regions went into decline for reasons that are
still uncertain
(although ecological causes are the likeliest
option), although the
northern areas continued to flourish on a
reduced scale until the
arrival of European forces and the subsequent
decimation of Native
American cultures across both continents. What
is left, however –
particularly dating to the Classic Period – includes
art and other
achievements that many consider to be the most
refined and
beautiful of the ancient New World. Stucco, mural
painting (notably
with the use of “Maya Blue”, the secret of which
has been lost since
the 16th century) and sculpture were all of an
astounding quality
and naturalism, with some sophisticated
expressionistic tendencies.
Carved out of hardened lava, this powerful
sculpture depicts a skull with detailed zig zag
design patterns on the crown and obverse of the
cranial structure.
- (CK.0815)
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