This is a stone relief of a Bodhisattva from
Ming Dynasty. The identity of the
Bodhisattva cannot be absolutely
confirmed due to a lack of distinctive
iconographic features. The Bodhisattva
has a halo around their hand and he his
standing on a lotus pedestal, indicating
their advanced status in Buddhist dharma.
The chatra (umbrella) on top of the
Bodhisattva is a symbol of royalty and
triumph. Holding a cup with both hands in
front of his chest, the figure could perhaps
be estimated to be Samantabhadra since
Samantabhadra is sometimes depicted in
this form. Delicate beaded necklaces
(keyura) and strips of ornamental cloth
and scarf are swaying with the figure’s
movement.
This sculpture bears distinctive features of
Tang dynasty art style.The presence of
round cheeks, a chubby neck, and a
noticeable belly, are coherent with the
typical Tang style of richness and
substantial physical presence. In Tang
aesthetics, being chubby is an auspicious
sign since it symbolises prosperity and
material abundance. Applying this style to
Buddhist sculptures reflect the belief that
the figure is spiritually advanced.
The relief is in fine condition. The figure is
basically intact, while traces of colouring
are still clearly visible.
