Probably as a result of a change in ritual activity,
independent figural sculpture gained prominence
in the Atlantic Watershed region during period IV
(1000 B.C.-500A.D). A stone figure, such as this
handsome example, represented the end of a
long and violent cycle considered essential to
securing fertility of the land and of human
beings. Human sacrifice began with
prisoners taken in battle, often waged expressly
for that purpose. This statue shows the noble
warrior holding the head of his defeated
opponent in one hand, and an axe in the other.
His stance is deviant and proud, a symbol of his
dominance on the battlefield. It is probable he
was intended as part of funerary accouterments
of a great warrior. Though, considering the
importance such figures had in society, he may
well have adorned the home of a prominent
warrior or chief. Occasionally figures carry two
heads, suggesting such statues were made as
commemorative offerings. The absolute power of
this warrior, the sheer male strength and naked
confidence is as impressive as the volcanic stone
from which he is made; and both artistry and
material attests to the sculptor's extraordinary
ability in a very difficult medium.
- (PF.4427)
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