Barakat Gallery
Login | Register | User Services | Search | Newsletter Sign-up
Barakat Gallery
HOME : Chinese Art : Tang Lokapalas : T'ang Sculpture of a Lokapala
Click to view original image.
T'ang Sculpture of a Lokapala - H.819
Origin: China
Circa: 618 AD to 906 AD
Dimensions: 20" (50.8cm) high
Collection: Chinese
Medium: Painted Terracotta

Location: United States
Currency Converter
Place On Hold
Ask a Question
Email to a Friend
Previous Item
Next Item
Photo Gallery
Click photo to change image.
Print image
Click photo to change image.
Print image
Click photo to change image.
Print image
Click photo to change image.
Print image
During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual's social rank. In spite of the limitations, a striking variety of tomb furnishings have been excavated. Entire retinues of ceramic figures - animals, entertainers, musicians, guardians - were buried with the dead. Many of the objects reflect Tang China's extraordinary amount of contact with foreigners, bringing into China influences that were then adapted and absorbed into its culture. One of these influences is apparent in this figure that corresponds to Buddhist warrior deities that assume a mortuary role in China but also serve as protectors of Buddhist temples. Known as "Protector of the Burial Vault" or "Protector of the Burial Ground," the fierce, armored guardian stands atop a recumbent white ox. This stance symbolizes the heavenly king's authority and responsibility as protector of the tomb. A remarkable amount of this sculptureā€™s original pigment has survived the ravages of time intact. His armor features red and green highlights while he wears a bright orange undergarment, and his flesh has been painted pink. Of particular note are the sleeves of his armor that have been modeled after fish or snake heads, as if his arms were being spewed forth from their scaled mouths. Also, a headdress in the form of a bird with its wings spread outwards, perhaps a phoenix or swan, crowns his head.

According to one Chinese tradition explaining their origin, Emperor Taizong when ill was threatened by ghosts outside of his room screeching and throwing bricks and tiles. When his general Jin Shubao (Chin Shu-pao) and a fellow officer came to stand guard the activity of the ghosts ceased. The grateful emperor had portraits of the two men hung on either side of his palace gates, and thereafter their images became widespread as door-gods. Originally, he would have brandished a weapon fabricated in a material such as wood that has deteriorated over the centuries. Looking unto his stern face and gazing into his fierce eyes, we understand why such works were intended to frighten away tomb robbers and evil spirits. Yet despite his intimidating nature, we are not repelled by him; instead, we are attracted to his artistic mastery and intriguing history.
- (H.819)


Home About Us Help Contact Us Services Publications Search
Terms and Conditions Privacy Policy Security

Copyright (c) 2000-2023 by Barakat, Inc. All Rights Reserved - TEL 310.859.8408 - FAX 310.276.1346

coldfusion hosting