This unusually ornate mask was made by the Yoruba. It is highly ornate, especially with regard to the coiffure, which is arranged in a series of incised and separated high-relief crests with a pendulous, crested queue descending to the face’s left side. The face is exceptionally well-modelled, with rounded contours and delicate detailing. The cheeks and forehead are marked with the traditional triple incision denoting keloid scarifications. The facial features are all carved rather than painted, with the exception of the pupils, which are marked in dark paint. The ears are bilobate and pierced to receive earrings. The “skin” is silvery beige in colour, with details low-lighted in black. The base retains several nails and nail holes which mark out there original position of the cloth costume which was worn with the piece.
Egungun (lit. “power concealed") is the spiritual embodiment of the Yoruba groups’ ancestors, which are honoured in masquerade ceremonies (Odun Egungun) at which masks such as this are worn. The performers enter trances and are possessed by ancestral spirits, which motivates their dancing. The aim of the ceremonies is to maintain the moral standards of previous generations: the dancers spiritually cleanse the community by lampooning morally questionable behaviour known to have been perpetrated by members of the audience. The masks are worn atop the heads of the performers, and with elaborate costumes which conceal the dancers’ identities, ensuring their safety from potential retribution. The tradition has a long history and seems to have grown out of the Oyo Yoruba’s appropriation of a masking tradition originally pertaining to the Nupe, which was then amended somewhat to emphasise its ancestor worship aspects.
The Yoruba are a Central Nigerian tribal group, originally descended from a Hausa migration from the northeast in about 900 AD. A small kingdom – Ile Ife – was founded by Oduduwa, followed by great sociopolitical expansion into Southwest Nigeria, Benin, and Togo. The influence of the city was felt far beyond these boundaries, however, and many smaller political entities were held under its sway. Communities were presided over by the Oba (king) and various senates (Ogboni), and councils made up of guild leaders, merchants and the lesser aristocracy (related to the Oba). The Yoruba have an exceptionally rich and diverse mythology, history and religious context, all of which are directly linked to their artistic output. In Yoruba society, this grouped heritage is known as the Itan, of which this striking mask is a part.
There are numerous variants of Egungun masks, all of which generally refer to the Yoruba people but also to subdivisions of the tribe, as well as village history, family history and even personal history of the carver. This is a striking and powerful piece of Yoruba art.