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The ancient site of Tlantilco in the valley of Mexico
came to light in 1936, during excavations carried out
by brick workers digging for clay. While removing the
clay in order to make bricks, these workmen
discovered a large number of burials, in which were
placed delicately modeled figurines, such as this
remarkable example. Later excavations in the area,
performed by archaeologists, revealed that these
burials formed a portion of a very large village,
Tlatilco, located west of the Great Lake on a small
stream, and settled by about 1200 B.C. The figurines
that appear in these ancient burials reveal that they
are the most aesthetically satisfying in Ancient Mexico.
Depiction of acrobats in clay has a long tradition
in Mexican art. The figures are usually quite
small, as in the case of this delightful example,
and often possess considerable charm. Certainly,
the Mesoamericans were renowned for their
elaborate festivals that included musicians,
dancers and acrobats. There is no doubt the
latter group were capable of extraordinary
physical contortions; as with this fellow, twisting
his body into a near perfect circle so his feet rest
comfortably either side of his head. His hands
too curl upwards with amazing agility just below
the feet. Mexican artists practiced considerable
realism, not allowing much abstraction to
influence their art. The face on this acrobat is
very expressive with a long, hooked nose,
almond eyes, slightly parted mouth, and
earspools. His expression is of complete calm
and relaxation in the manner of Indian
contortionists. From whatever angle this figure
is viewed he radiates a sense of joy, and is a vivid
reminder of the more festive aspect of
Mesoamerican life.
- (PF.4985)
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