Impressing terracotta cylindrical hollow figurine of a
standing woman, her large wheel-thrown skirt with
incised concentric horizontal lines, both upper arms
attached to the body, the lower arms raised at an
angle, her oversized hands holding a large bowl. The
small face carefully delineated, her hair tied up at the
sides into two pony tails, swept back on the front.
The Indus Civilization is still enigmatic: an ancient
civilization with a yet-to be deciphered writing
system, a mysterious monumental architecture, no
monumental art, a puzzling decline, and little
evidence of the identity of its direct descendants. In
a
civilization extending over an area so vast, one would
expect to find monumental art and/or architectural
symbols of power displaying the names of the
powerful. Instead, the emphasis is placed on small,
elegant art and sophisticated craft technology.
Three-dimensional representations of living beings in
the Harappan world are confined to a few stone and
bronze statues and some small objects crafted in
faience, stone, and other materials - with one
important exception. Ranging variously in size, the
anthropomorphic and animal terracotta figurines the
Indus Civilization sites depict life as seen by the
Harappan people in the Bronze Age.
Terracotta figurines have long been considered toys,
often without question. The earliest anthropomorphic
figurines from Harappa date back to the Early
Harappan (Ravi Phase, Period 1, and Kot Diji Phase,
Period 2) levels. Among these are stylized seated
female figurines with exaggerated buttocks and
thighs and joined legs extended in front.
However, large terracotta figurines thrown on the
wheel such as this one, mostly seem to have come
from the valley of Bajaur in Pakistan, where a
distinctive style of semi-realistic anthropomorphic
figurines was allegedly produced during the early 3rd
millennium BCE. Incredibly enough, the extraordinary
blend of realism -imbued in the face of our lady-,
and
surrealism -of her large hands and exaggerated
torso- would not feel out of place in a contemporary
setting, thus transcending the boundaries of time
and
space.