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Pre-Columbian Art :
Art of Panama : Cocle Terracotta Polychrome Vessel with a Long Neck
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Cocle Terracotta Polychrome Vessel with a Long Neck - PF.4026
Origin: Cocle, Panama
Circa: 500
AD
to 1000
AD
Dimensions:
9.5" (24.1cm) high
Collection: Pre-Columbian
Medium: Terracotta
Location: United States
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Photo Gallery |
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Description |
Archaeological excavations in the Cocle Province
located in Central Panama have revealed that an
ancient civilization once inhabited these lands.
The findings suggested that the so-called Cocle
culture arose around 500 A.D. and lasted until
about 1000 A.D. Although their dating is roughly
contemporaneous with the Diquis culture to the
north in modern day Costa Rica, the art they left
behind suggests that they were a unique,
independent civilization. Cocle art, which
consists primarily of unslipped or buff slipped
pottery and terracotta sculptures, is
distinguished by their polychrome hues and
lively asymmetrical motifs which often include
animal themes.
The word sorcerer or Shaman has a sinister
connotation to the Western mind. We think of
them as witches who use magic to harm others.
For much of the world, past and present, the true
Shaman is someone of extraordinary ability who
acts as a healer, due to his or her knowledge of
herbs and as a spiritual advisor because of their
psychic powers. The metaphysical world of spirits
was very real to the Pre-Columbians. It was part
of reality interwoven into every aspect of daily
existence, especially in their art. This elegant
and graceful vessel can be seen and appreciated
on many levels. The central pattern is composed
of two main sections, each with nearly identical
images. This is a mythical character with two
black circles for eyes and a very large mouth in
red. The legs are two thick lines of red and
purple that are bent at the knee giving the effect
of lifting upwards. The figures appear to be
sprouting wings, which are in fact saurian-like,
either lizard or alligator, done vertically with
their heads lifting towards the rim. The main
figures probably represent Shamans, or perhaps
a single Shaman, in the act of transforming
himself for a journey into the spirit realm. The
entire concept of the vessel's design is based
upon the theory of the compliment of opposites.
This involves the balancing of elements, often
using the same symbol in a reverse mirror image
or in an opposing color. The result is perfect
equilibrium in a harmonious structure of
absolute symmetry. It is this simple concept the
Shamans of old believed was the essence of life.
- (PF.4026)
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